‘And so … We joined the Union’, Ruth Maddison: It was the best of times, it was the worst of times, Centre for Contemporary Photography, Melbourne


Anne-Louise Willoughby, Nora Heysen: A Portrait, Australian Journal of Biography and History, no. 4, 2020 [book review]


‘Vivian Maier: A photographer’s Life and Afterlife by Pamela Bannos’, ABR, March, no.399 [book review]


‘Robert Mapplethorpe: the perfect medium’, ABR, November [exhibition review]


‘Lives of the Great Photographers by Juliet Hacking’, ABR, March, no.379 [book review]


Ennis, Helen, ‘Derek Kreckler: ‘Dark knowing’’ in Hannah Matthews (ed.), Derek Kreckler: Accident and Process, Perimeter Editions


‘The fluid object: Sue Ford’s ‘unfixed’ photography’ in Maggie Finch, (ed.), Sue Ford. Melbourne: National Gallery of Victoria, pp.127-130

‘Robert Imhoff, an introduction’ in Robert Imhoff. Richmond, Vic: Writelight

‘Who was Wolfgang Sievers?’ in Naomi Cass and Kyla McFarlane (eds.), The Wolfgang Sievers Project. Melbourne: CCP


‘Photography and Mourning’, History of Photography, 37:2, 252-253 [book review]


‘Things: Photographing the constructed world’, National Library of Australia [exhibition room brochure]

‘Things: Photographing the constructed world’, The National Library Magazine, December 2012, pp.20-24

‘Street portraits’, Gary Lee: Nice Coloured Boys, Ubud. Woolloongabba Art Gallery, 2012 [exhibition catalogue]

Entry on Margaret Michaelis, Australian Dictionary of Biography http://adb.anu.edu.au/biography/michaelis-margarethe-14956


‘Lasting Impressions: European views of Central Australia. Images of the interior: seven central Australian Photographers by Philip Jones’, ABR, November 2011, pp.46-47 [book review]

‘Sue Ford: faces are maps’ in Shaune Lakin, Sue Ford: Self-Portrait with Camera (1960-2006). Monash Gallery of Art [exhibition catalogue]

Introduction, The Mourners: Georgia Metaxas, Centre for Contemporary Photography, Melbourne [exhibition catalogue]

‘Look: Contemporary Australian Photography since 1980’, ABR, June 2011, pp. 43-44 [book review]

‘Sievers: Images of Australian Industry’, The National Library Magazine, September 2011, pp.21-23


‘Ward 3 E’ in Natalie King (ed.), Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang. Melbourne: Black Inc.

‘Sue Ford 1943-2009’, Art Monthly Australia, no. 227, March 2010: pp.27-28

‘A pioneer of polar photography: Frank Hurley’, National Library Magazine, September

‘Decisive moments. Peter Galassi: Henri Cartier-Bresson’, ABR, no.326, November 2010, p.10 [book review]


Edward Burtynsky’s minescapes: an Australian perspective’ in Edward Burtynsky: Australian Minescapes. Perth: Western Australian Museum

Entries on Wolfgang Sievers and Sue Ford, Grove Art Dictionary Online (400 words each)

Entries on Max Dupain, Peter Peryer and Piet Zwart, William McAloon, (ed.), Art at Te Papa. Wellington: Te Papa Tongarewa. pp. 198, 202, 330, 352, 400

Book review: Tom Normand Scottish Photography: A History. Luath Press, 2007, History of Photography, vol.33, no.4, November, pp.407-08

‘Timeliness: Photographs by Christine Godden’. Christine Godden ISBN978-0-646-51283-9. cat.


‘Now and Then’, Art World, Issue 6, December 2008/January 2009, pp.7-11

‘Steam and sunshine’, entry in Natasha Bullock, (ed.),  Harold Cazneaux: Artist in Photography. Sydney: Art Gallery of New South Wales

Entry on Margaret Michaelis, Australian Dictionary of Biography


Intimate Encounters: Christl Berg, Launceston: Queen Victoria Museum and Gallery

‘Reveries: Photography & Mortality’, Portrait 23, Autumn 2007, pp.4-9

‘On Death’, Photofile, no.80, Autumn 2007


‘Perception: The Daryl Hewson Photographic Collection’, Photofile, no.76, Summer 2006, p.78

‘Jacky Redgate 1980-2003’, Photofile, no.78, Spring 2006, p.78

‘Jane Lydon: Eye Contact’, Australian Book Review, no.283, August 2006, p.54

‘Bill Culbert: Light wine things’, Art Monthly Australia, no.190, June 2006, pp.39-40


‘Margaret Michaelis: love, loss and photography’, artonview, no. 42, Winter 2005, pp.28-34

‘The outsider. 1904: Korea through Australian eyes’, Australian Book Review, no. 272, June-July 2005, p.50


‘Made in Australia: Contemporary Documentary Photography’, National Library News,, December 2004, pp.7-11

‘This picture speaks for itself: Photography and the First World War’, National Library News, July 2004, pp.13-17

‘Narratives of war’, ozhistorybytes

‘Unhurried: Tribute to Olive Cotton’, Australian Art Monthly, no.167, 1, March 2004


‘Seeing and not knowing’, Muse, May 2003

‘National news’, Australian Book Review, no.256, November
Dacre Stubbs obituary, Photofile, no.70

‘In a New Light’, National Library News, November, 2003, pp.3-7


‘Gentle Men’, Art Monthly, May 2002, no.149, pp.20-22

Entries on Harold Cazneaux, Olive Cotton and Margaret Michaelis, Australian Art in the National Gallery of Australia. Canberra: National Gallery of Australia, 2002


‘The pleasures of the past’ in Photofile, Autumn, 2001


‘Drawing with light: The photography of Olive Cotton’, National Library News, August 2000, pp.11-15

‘The future of history’ in Robert Imhoff (ed.), The Fuji ACMP Australian Photographers Collection, 6, ACMP, 2000


Introduction, Wolfgang Sievers. Melbourne: WriteLight, 1999


‘Heaven of blossoms: Harold Cazneaux’s garden’ in Australian Garden History, May 1997

‘Visual Anthropology: The Photographs of Judith Ahern’, Albury Regional Art Centre, unpublished broadsheet, June 1997

Fashion photography, Australian Review of Books, 1997


‘Julia Church’ in A Matter of Making (Part One). Canberra: Canberra School of Art Gallery, 1996

‘Cartoons in clay: Bev Hogg’ in Pottery in Australia, vol.35, no.4, Summer 1996


‘Metamorphoses’, Traces, an installation of images and texts by Christl Berg. Launceston: University of Tasmania, 1995 [exhibition catalogue]

‘Inter-relationships’ in Graduate Diploma Exhibition 1995. Canberra: Canberra School of Art [catalogue essay]

Entries on Olive Cotton and Margaret Michaelis in Joan Kerr, ed., Heritage, The National Women’s Art Book. Sydney: Craftsman House, 1995


‘Janet Burchill and Jennifer McCamley’ and ‘Simon Linke’ in Mary Eagle, ed., Virtual reality. Canberra: National Gallery of Australia, 1994 [catalogue essays]

‘Peter Peryer’, AETA Newsletter, 1994


‘A shared future’, From Van Diemens Land to Video Land : Colour Laser Prints by Sue Ford. Canberra: Canberra School of Art Gallery, 1993 [catalogue essay]

‘Garden of Earthly Delights: The Work of Fiona Hall’, Photofile, no.38, March 1993: pp.37-39 [exhibition review]

‘The real face of the world’ (Werner Bischof) in Stages, 1993


‘Hedda Morrison’, Art Monthly, no.50, June 1992: pp.14-16

‘No Asia = No Photographs’, Art Monthly, no.54, October 1992: pp.22-24  [book review]

‘Re-viewing Olive Cotton’s photographs’. Olive Cotton. Canberra: aGOG, 1992   [catalogue essay]

Foreword, 175′ East. Wanganui, New Zealand: Sarjeant Gallery, 1992


‘Letter from Europe, Photofile, Summer 1990: pp.30-32

‘Photography and history’ in Josef Lebovic and Joanne Cahill, eds., Masterpieces of Australian Photography. Sydney: Josef Lebovic Gallery, 1990: pp.6-8 [catalogue introduction]


‘Happy 150th, Photography’, Vogue, August 1989: pp.182-183

‘One and the other’, Barbara Hanrahan. Canberra: aGOG, 1989[catalogue introduction]


‘David Moore: New Australians’, entry in Daniel Thomas, ed., Creating Australia: 200 Years of Art 1788-1988. Sydney: ICCA and the Art Gallery of South Australia, 1988

‘Beyond the Tyranny of Distance’, Creative Camera (U.K.) 11/1988: pp.9

‘Barbara Hanrahan’, Imprint, 1-2 June 1988: pp.22-23 [book review]


‘My Body, My Labour’, Photofile, Summer 1987/88, pp.25-27

‘Biography on Carol Jerrems’ for McMillan, Dictionary of Art, 1987

‘Australian Women Photographers in the 1970s’, Against The Grain, Summer 1987


‘Diane Arbus and the dark side of the American dream’, Photofile, vol.3, no.2, Winter 1985: pp.18-22

‘Day for Night by Alan Cruickshank’ book review, Art and Australia, Spring 1985

‘Harry Callahan and Artists’ Wives’, Photofile, vol.3, no 3, Spring 1985: pp.17-20

‘Recent Australian Photography’, Professional Photography, December 1985


‘Eugène Atget: Whose Myth?’, Photofile, Summer 1984: pp.1-2


‘Melbourne Galleries’, Photofile, Sydney, Winter 1983: pp.14


‘Photography Review: Henri Cartier-Bresson’, Lot’s Wife, Melbourne, March 30, 1981: p.15

‘Photography Review: Duane Michals’, Lot’s Wife, Melbourne, September 7, 1981: p.17.